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Seminole Tribe of Florida headquarters: Hollywood, Florida
(1995)
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Nancy Billie (left) and Lottie Shore (right): Brighton Seminole
Indian (1989)
Modern Seminoles have become an integral part of modern Florida
society. Yet many of today’s Seminoless also strive to preserve
and expand their traditional culture, including their foodways,
recreation, dress, and architecture.
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Lottie Shore holding hand ground corn: Brighton Seminole
Indian (1989)
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Susie Billie, a traditional Seminole healer: Clewiston,
Florida (1995)
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Frank Billie carving at the 1995 Florida Folk Festival:
White Springs, (1995)
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Seminole children playing stick ball: Big Cypress Seminole
Indian Reservation (1989)
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Seminole woman assembling connectors at a factory (1967)
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Seminole Tribe of Florida semi-truck: Big Cypress Reservation,
Florida (1989)
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Danny Wilcox (right) and Bobby Henry (left) with dugout
canoe: Tampa, Florida (1988)
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Rosie Billie cooking frybread: Big Cypress Seminole Indian
Reservation (1984)
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Excavation at Mission San Luis: Tallahassee, Florida (2007)
In recent years, scholars have begun to unravel the history
of Florida’s original peoples through archaeological sites,
oral traditions, and historic documents.
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Seminole chairman and popular singer Jim Billie performing
at the Florida Folk Festival: White Springs, Florida (1986)
Billie, a veteran of the Vietnam War and former hair stylist,
was elected as chairman of the Seminole Tribe of Florida in
1979, replacing Howard Tommie. During his tenure, which lasted
until 2003, Billie expanded the Seminole Tribe’s financial
and cultural activities into a multi-million dollar corporation.
Beginning in the 1980s, Billie also became a popular singer,
releasing several albums and performing throughout the nation.
Here he is performing with Florida folksinger Will McLean.
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Secretary of State Bruce Smathers wearing traditional Seminole
patchwork jacket: White Springs, Florida (1975)
By the late 20th Century, Seminole culture became prevalent
throughout Florida. From Florida place names (Osecola and
Seminole counties) to tourism to football mascots, many Floridians
wanted to be linked with Seminole culture.
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Florida State University cheerleader and Sammy Seminole:
Tallahassee, Florida (1960)
Early attempts to appropriate the image of Seminoles often
played upon stereotypes and inaccuracies, such as FSU’s well-intentioned
but historically inaccurate Sammy Seminole.
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Florida State University’s mascot, “Chief Osceola” riding
Renegade before a game at Doak Campbell Stadium: Tallahassee,
Florida (1970s)
Although Osceola was never a chief and the mascot has yet
to be portrayed by a member of the Seminole tribe, nonetheless
FSU’s current mascot has the approval of the Seminole Tribe
of Florida, who had a hand in the mascot’s creation.
Although it has faced controversy in recent years, for many
Floridians (including descendents of the soldiers who fought
the real-life Osceola) the mascot demonstrates admiration
and respect for Florida Seminoles.
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The “Unconquered” bronze statue at Florida State University:
Tallahassee, Florida (2006)
Many have criticized the linking of Native American images
with war and fighting as detrimental to their image. Others
feel that it shows the pride and a willingness to preserve
their way of life. Statues such as this one by Fritz White
and other public images demonstrate Florida’s continued centuries-old
fascination with Seminole culture.
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Portrait of Billie Bowlegs, III (1960s)
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Seminole youth at the 1967 Florida Folk Festival: White
Springs, Florida (1967)
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Introduction | Early
Years | Resistance and Removal | Isolation
| Tourism | Reservations
and Organization | Modern Era
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